| Mixing capability | On-board processors | SPX algorithm: 24 programs |
|---|---|---|
| I/O | Phantom power | +48 V |
| Digital I/O | USB Audio Class 2.0 compliant, Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit | |
| Input Channels | Mono[MIC/LINE] | 4 |
| Stereo[LINE] | 3 | |
| Output Channels | STEREO OUT | 2 |
| MONITOR OUT | 1 | |
| PHONES | 1 | |
| AUX SEND | 1 | |
| Bus | Stereo: 1, AUX[FX]: 1 | |
| Input Channel Function | PAD | 26 dB (Mono) |
| HPF | 80 Hz, 12 dB/oct (Mono) | |
| COMP | 1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msec | |
| EQ HIGH | Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving | |
| EQ MID | Gain: +15 dB/-15 dB, Frequency: 2.5kHz peaking | |
| EQ LOW | Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving | |
| PEAK LED | LED turns on when post EQ signal reaches 3 dB below clipping | |
| Level Meter | 2 x 7 -segment LED meter [PEAK, +10, +6, 0, -6, -10, -20 dB] | |
| Total harmonic distortion | 0.02 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.003 % @ +24dBu (1kHz), GAIN knob: Min | |
|---|---|---|
| Frequency response | +0.5 dB/-1.0 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min | |
| Hum & noise level | Equivalent input noise | -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max) |
| Residual output noise | -102 dBu (STEREO OUT, STEREO LEVEL knob: Min) | |
| Crosstalk | -83 dB | |
| Power requirements | PA-10 (AC 38 VCT, 0.62A, Cable length = 3.6 m) or equivalent recommended by Yamaha | |
| Power consumption | 22.9 W | |
| Dimensions | W | 244 mm (9.6') |
| H | 71 mm (2.8') | |
| D | 294 mm (11.6') | |
| Net weight | 2.1 kg (4.63 lbs.) | |
| Accessories | Included Accessory: AC Adaptor, Owner’s Manual, Cubase AI Download Information, Technical Specifications, Optional Accessory: Mic Stand Adaptor BMS-10A, Foot Switch FC5 | |
| Others | Operating Temperature: 0 to +40˚C | |
| Input terminal |
PAD 26 dB |
GAIN Trim Position |
Actual Load Impedance |
For Use With Nominal |
Input level | Connector | ||
|---|---|---|---|---|---|---|---|---|
| Sensitivity *1 | Nominal | Max. before clip | ||||||
|
MIC/LINE 1 – 4 |
OFF | +64 dB | 3kΩ |
50-600Ω Mics/Lines |
-72 dBu (0.195 mV) |
-60 dBu (0.775 mV) |
-40 dBu (7.75 mV) |
Combo jack *2 (Balanced) |
| +20 dB |
-28 dBu (30.9 mV) |
-16 dBu (122.8 mV) |
+4 dBu (1.228V) |
|||||
| ON | +38 dB |
-46 dBu (3.884 mV) |
-34 dBu (15.46 mV) |
-14 dBu (154.6 mV) |
||||
| -6 dB |
-2 dBu (615.6 mV) |
+10 dBu (2.451 V) |
+30 dBu (24.51 V) |
|||||
|
LINE 5/6, 7/8 |
– | – | 10kΩ |
600Ω Lines |
-22 dBu (61.56 mV) |
-10 dBu (245.1 mV) |
+10 dBu (2.451 V) |
Phone jack *5 RCA Pin (Unbalanced) |
| LINE 9/10 |
Phone jack *5 (Unbalanced) |
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| Output Terminals |
Actual source impedance |
For Use With Nominal |
Output level | Connector | |
|---|---|---|---|---|---|
| Nominal | Max. before clip | ||||
| STEREO OUT [L, R] | 75Ω |
600Ω Lines +20 dB |
+4 dBu (1.228 V) |
+24 dBu (12.28 V) |
XLR-3-32 *3 Phone jack *5 (Balanced) |
|
MONITOR OUT [L, R] AUX[FX] SEND |
150Ω | 10kΩ Lines |
+4 dBu (1.228 V) |
+20 dBu (7.750 V) |
Phone jack *4 (Impedance Balanced) |
| PHONES | 110Ω | 40Ω Phones | 3mW + 3mW | 100mW + 100mW | Stereo phone jack |
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Malaysia
