The first truly portable analog synthesizer was released in 1971. Although it was rather pricey and could be temperamental, keyboard heavies of the era were quick to embrace it; and in the ensuing decades, its celebrated sounds graced countless concerts, records, and film scores. there are some exciting surprises waiting for all synthesists who have been aching to get their hands on one of these legendary synths. First off, the Behringer Poly D packs four voices of polyphony — instead of one — inside its classic, 37-key wood-trimmed chassis; and second — it is amazingly affordable! Otherwise, it packs all the features of the original — and then some.
SPECIFICATIONS |
|
| Type | Keyboard Synth |
| Analog/Digital | Analog |
| Number of Keys | 37 |
| Type of Keys | Full-size, Synth Action |
| Other Controllers | Pitchbend, Mod wheel |
| Polyphony | 4-voice (paraphonic), Monophonic mode, Unison mode |
| Oscillators | 4 x VCO ; triangle, sawtooth, square, wide pulse, narrow pulse, reverse saw (osc 4) |
| LFO | 1 x LFO ; triangle, square |
| Filter | 24dB Ladder Filter ; Lowpass, Highpass ; Cutoff Frequency, Emphasis, Contour |
| Envelope Generator | 2 x EG (filter/VCA) ; Attack, Decay, Sustain |
| Effects Types | BBD Stereo Chorus, Distortion |
| Arpeggiator | Yes |
| Sequencer | 32-step |
| Audio Inputs | 1 x 1/4" (external signal in) |
| Audio Outputs | 2 x 1/4" (main out) |
| Headphones | 1 x 1/4" |
| MIDI I/O | In/Out/Thru |
| Other I/O | After pressure out, Pitch out, V-Trig out, Velocity out, Sync in, Sync out, V-Trig in, Loudness in, Filter in, Osc in, Mod Src |
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